Magdalena Chudy, EngD ,
Magdalena Chudy is currently a postdoc researcher at the Ethnomusicology Laboratory and a member of DARIAH-PL Music Information Retrieval Working Group. She holds a PhD in electronic engineering from Centre for Digital Music, Queen Mary University of London. Earlier, she studied computer science at Warsaw School of Information Technology and cello at St. Petersburg Conservatory. While in QMUL, she worked for EU FP7 project MIReS. She was a visiting researcher in Music Technology Group, Universitat Pompeu Fabra and Centre for Interdisciplinary Research in Music Media and Technology, McGill University. She was also involved in Women in Science and Technology focus groups such as WISE@QMUL and G.Hack. In her professional career, Magdalena combines research work with IT positions and music performing activities. Since 2014, she has been a member of Female Laptop Orchestra project which specializes in telematic performances using live streaming technologies. Her PhD research focused on player-dependent aspects of musical timbre. Upon joining IAPAS, her main research areas have included analysis of traditional singing styles, automatic transcription of field recordings, and designing a virtual environment for ethno/musicology research based on digital libraries and MIR tools.
Najważniejsze publikacje
Magdalena Chudy, Ewa Łukasik, Tomasz Parkoła, Ewa Kuśmierek, Jacek Jackowski, Ewa Dahlig-Turek, Digital Library Adaptation for Traditional Music and Content-Based Research: Polish Sound Archives and dLibra, in: Proceedings of the ACM/IEEE Joint Conference on Digital Libraries in 2020 (JCDL '20), 2020, ACM, New York, USA, 289-298
Tomasz Parkoła, Magdalena Chudy, Ewa Łukasik, Jacek Jackowski, Ewa Kuśmierek, Ewa Dahlig-Turek, MIRELA – Music Information Research Environment with dLibrA, in: Proceedings of the 6th International Conference on Digital Libraries for Musicology (DLfM '19), 2019, ACM, New York, USA, 65–69
Marcin Werla, Jacek Jackowski, Magdalena Chudy, Ewa Łukasik, Ewa Kuśmierek, Ewa Dahlig-Turek, Developing Music Digital Library based on Polish Traditional Music Archives and dLibra, in: Proceedings of the 5th International Conference on Digital Libraries for Musicology (DLfM '18), 2018, published online 28 Sep 2018
Magdalena Chudy, Discriminating music performers by timbre: On the relation between instrumental gesture, tone quality and perception in classical cello performance, PhD thesis, Centre for Digital Music, School of Electronic Engineering and Computer Science, Queen Mary University of London, 2016, published online 5 Jan 2017
Xavier Serra, Michela Magas, Emmanouil Benetos, Magdalena Chudy, Simon Dixon, Arthur Flexer, Emilia G.mez, Fabien Gouyon, Perfecto Herrera, Sergi Jord., Oscar Paytuvi, Geoffroy Peeters, Jan Schlüter, Hugues Vinet, Gerhard Widmer, Roadmap for Music Information ReSearch. Geoffroy Peeters (editor), Creative Commons BY-NC-ND 3.0 license, ISBN: 978-2-9540351-1-6, 2013, published online
Magdalena Chudy, Alfonso Perez Carrillo, Simon Dixon, On the Relation Between Gesture, Tone Production and Perception in Classical Cello Performance, in: Proceedings of the 21st International Congress on Acoustics (ICA 2013), 2013, 19(1), 035017-25
Magdalena Chudy, Simon Dixon, Recognising Cello Performers Using Timbre Models, in: Algorithms from and for Nature and Life. Classification and Data Analysis, Lausen, B., Van den Poel, D., Ultsch, A. (Eds.). In book series: Studies in Classification, Data Analysis, and Knowledge Organization, Springer-Verlag GmbH, Heidelberg, 2013, 511-518
Magdalena Chudy, Simon Dixon, Towards Music Performer Recognition Using Timbre Features, in: Proceedings of the 3rd International Conference of Students of Systematic Musicology, 2010, 45-50
Magdalena Chudy, Automatic identification of music performer using the linear prediction cepstral coefficients method, Archives of Acoustics Journal, 2008, 33(1), 27-33
Magdalena Chudy, Automatic identification of music performer, in: Proceedings of the 11th AES Symposium “New Trends in Audio and Video”, 2006, 170-175
Projekty
Cyfrowa Infrastruktura Badawcza dla Humanistyki i Nauk o Sztuce DARIAH-PL
Nr umowy: POIR.04.02.00-00-D006/20-00
Okres realizacji: 2021.01.01 – 2023.12.31
Rola w projekcie: Wykonawca (Laboratorium zautomatyzowanego wzbogacania)
Źródło finansowania: ze środków EFRR
FBC-TeNe: zwiększenie dostępności cyfrowych zasobów nauki i kultury w Federacji Bibliotek Cyfrowych poprzez pozyskiwanie reprezentacji tekstowej i nutowej
Nr umowy: POPC.02.04.00-00-0012/20-00
Okres realizacji: 2021.03.01 – 2023.02.28
Rola w projekcie: Koordynator
Źródło finansowania: ze środków EFRR
Folk music groups: their artistic practice and infrastructural needs in the COVID-19 era and beyond
Okres realizacji: 2020.12.01 – 2021.11.30
Rola w projekcie: Kierownik
Źródło finansowania: DARIAH ERIC: DARIAH Theme 2020 on ‘Arts Exchanges’ and ‘Arts, Humanities and COVID-19’
Polska Pieśń i Muzyka Ludowa. Źródła i materiały. Podlasie, Kurpie. Kontynuacja
Nr projektu: 11H 17 0123 85
Okres realizacji: 2018.05.15 – 2023.05.15
Rola w projekcie: Wykonawca
Źródło finansowania: Narodowy Program Rozwoju Humanistyki